Thursday, March 29, 2012

Fanfic: Justice League Generations Trilogy

       The Avengers will be out in about a month, and all DC can do is churn out a Batman trilogy, an upcoming Superman reboot, and a mediocre Green Lantern film. Where have they been? Why no Justice League? Below is a concept for what I think would be a cool  Justice League film trilogy.

        1. Justice League-The film serves as a World War II period piece (ala Captain America) and features an up and coming Superman, Batman, Wonder Woman, Aquaman, Hawkman, and the Jay Garrick and Alan Scott Flash and Green Lantern. They come together when Superman and Batman learn that Lex Luthor is gathering a legion of powerful super villains (Metallo, Joker, Cheetah, Icicle, Mirror Master, Black Manta, and Shadow Thief) to ally themselves with the Nazis in order to take down the world's superheroes and pool resources to create superhuman Nazi soldiers.

        2. Justice League Ascending-Set in the 1960s at the height of the Cold War, this film explains that after WWII, the government tried to draft the Justice League into their service. Wonder Woman and Aquaman returned to their kingdoms, Superman allied with the government, Batman operated out of Gotham illegally and took on Robin/Nightwing as his ward, Hawkman retired and started a family before dying, Flash died, and Green Lantern went on to co-found Ferris Air, with Hal Jordan as the top test pilot. Lex Luthor has become the U.S. President, and tries to either force the golden age heroes out of retirement or create new versions of them. Barry Allen tries to recreate the experiment that made Jay Garrick the Flash and becomes the Flash himself. Hal Jordan is given Alan Scott's ring and becomes the new Green Lantern. Hawkman's half human half Thanagarian daughter, Shayera, grows wings and wishes to take up her father's mantle as Hawkgirl. Meanwhile, Lex sends out a probe that winds up on Mars, where it activates the dormant Brainiac, a living machine that ravages worlds in its quest for knowledge and energy. J'onn J'onnz, the last Martian, forced Brainiac into dormancy after he had wiped out his entire race thousands of years ago. With Brainiac back online and heading for Earth, J'onn reawakens and heads to Earth to intercept him. J'onn sends out a psychic signal that gathers Superman, Batman, Wonder Woman, Aquaman, Hawkgirl, and the new Green Lantern and Flash together to fight Brainiac and his army of techno-organic warriors before they destroy the Earth.

        3. Justice League Apocalypse-Set in the present day, the film follows the unaging Superman, Wonder Woman, J'onn, Hawkwoman, and Aquaman  as they oversee the next generation of the Justice League. Barry Allen and Hal Jordan have passed their personas on to Wally West and Kyle Rayner, respectively. Batman has died, but not before marrying Catwoman and fostering a daughter, Helena, now the Huntress. She fights crime alongside the new Batman, Dick Grayson, the former Robin. New heroes include Green Arrow, Black Canary, and Cyborg. This new incarnation of the League must fight to save the entire universe from destruction at the hands of Darkseid, the tyrant from Apocalypse who seeks the annihilation of all life.

Tuesday, March 27, 2012

Fanfic: Iron Man 3

        As the Avengers draws closer and closer to its release date, I began to wonder what Marvel has in store for its two post-Avengers flicks, Iron Man 3 and Thor 2. I've heard rumors that the plot of Iron Man 3 will be more like a spy-thriller, and involve nanobots that invoke the Extremis story arc. Based on these rumors, and other personal desires, I have decided to cobble together a plot outline for how I would like to see Iron Man 3 turn out.

        The film will take place post-Avengers, where in the aftermath of the invasion Tony Stark realizes he's not the big shot superhero anymore. Captain America and Thor, due to having actual powers, are stealing the limelight away from Tony, who begins doubting his self-worth. In order to compete in the same league as his fellow heroes, Tony begins designing the Mark VIII, a revolutionary new armor composed of liquid metal nanobots that will bond with Tony through his arc reactor and be administered throughout his body. Basically, he can summon a liquid metal armor at will, then add more weapons and attachments onto it as he sees fit when it comes time for upgrades. Having made himself a cyborg, Tony can now instantly interface with computer systems as well.

        As Tony is experimenting with his new armor, his rival Justin Hammer is released from prison and attempts to compete once again with Stark Enterprises. He gets help when his company agrees to a merger with a Middle Eastern company run by Gene Khan, who goes by the alias of the Mandarin, a powerful warlord who is the leader of the Ten Rings organization that captured Tony in the first film. Mandarin wants vengeance against Stark for humiliating his men in the first film, and hoped that providing the resources for Ivan Vanko to get to Monaco would have allowed Whiplash to destroy Stark. Since that has fallen through, and Iron Man has successfully become an Avenger in the wake of the invasion, Mandarin wants to be directly involved in taking Iron Man down.

        Mandarin sends one of his agents, the Spymaster, to infiltrate Stark Enterprises to steal the designs for Stark's various armors and the latest arc reactor (the one powered by the cosmic cube element). While there, Spymaster finds that Tony has been reverse engineering leftover tech from the alien invasion to advance his armor (this is how he created the nanobots). Among the tech Tony had salvaged was ten alien rings, each one highly advanced and carrying a separate power. Tony was unable to unlock the power of the rings, and so kept them in storage until he could decide what to do with them. Spymaster steals these, as well as the arc reactor and armor designs. While Mandarin takes the rings for himself and tries to make them work, he has Justin Hammer use his company's resources to manufacture suits and arc reactors for Mandarin's men.

         Spymaster is the first to receive a suit, a unique one made of an alien material that allows the wearer to become invisible and intangible. Spymaster rechristens himself the Ghost. Another of Mandarin's thugs gets a suit that channels the cosmic cube energy from the arc reactor into a concentrated beam of heat that melts anything in its path. This thug becomes the Melter. With these weapons, Mandarin tasks Ghost and Melter to take Stark out of the equation. Melter publicly challenges Iron Man to a battle while Ghost infiltrates the Stark computer system to shut down the company's mainframe. Tony defeats the Melter, who is apprehended by SHIELD, but the property damage caused by the fight paints Stark in a bad light, and the people begin to lose respect for him. Nick Fury tasks Coulson and Black Widow to keep an eye on Stark and investigate who hired the Melter. The Ghost shuts down Stark's power grid, leaving Tony without access to his lab and also rendering JARVIS offline.

        Coupled together, these events cause Tony to lose the admiration of the public. Rhodey takes Tony's place in the Avengers initiative as War Machine, while stock in Hammer Industries rises as Hammer begins mass producing arc reactor tech. The blackout at Stark gives Hammer enough leverage to buy out Tony's company. SHIELD freezes Tony's bank accounts to prevent Tony from doing something stupid while they send Rhodes, Coulson, and Widow to investigate Hammer's role in hiring the Melter and causing the Stark blackout. Tony begins drinking heavily following this fall from grace, and due to his alcoholism Pepper leaves him.

          At this time, Hammer's scientists develop a new arc reactor that can serve as a power source for the Mandarin's rings. The reactors are used to power high tech weapons (in essence resembling more advanced versions of the ones used in Captain America). Now possessing the full power of the ten rings and commanding an army of soldiers with arc reactor technology, Mandarin deems Hammer expendable and kills him, before marching his army out to take over the country. The soldiers quickly overwhelm War Machine, Black Widow, Coulson, and a large squad of SHIELD agents sent in by Fury as backup. Tony, realizing that he needs to swallow his pride for the sake of making the world a better place, gets over his drinking problem with the help of Pepper and suits up as Iron Man, breaking into his own company and entering a final battle with the Ghost before obtaining new armor upgrades to create his most advanced armor yet: The Silver Centurion (same color scheme as the briefcase armor just more advanced).

        Tony flies off and, with War Machine and SHIELD backing him up, takes out most of the Ten Rings soldiers and their arc tech. Tony then enters a final battle with the Mandarin, who proves to be more than a match using the rings. Tony eventually manages to overload the arc reactor powering the rings, creating a huge energy discharge that destroys the rings and Mandarin. With the battle won, Tony buys back his company, makes amends with Rhodey, Pepper, and SHIELD, and realizes his worth as a superhero, both as a solo one and as a member of the Marvel Universe.

Monday, March 26, 2012

Fanfic: Ninja Turtles...IN SPAAAAAACCEEEEEE

         


          The 'Net's been abuzz lately about how Michael Bay's Teenage Mutant Ninja Turtles reboot will have the Turtles as aliens instead of mutants, and to reflect this change the working title has dropped "Teenage Mutant" from the title to make it just "Ninja Turtles". People have been arguing about this viciously for the past week now, and I thought I'd share my two cents. I never really liked the Ninja Turtles to begin with, but I respect their contributions to '80s and '90s pop culture and how they were a huge part of many people's childhoods. While I never watched the Turtles, I learned about their mythology through friends who were fans, and I have to say that personally, the Turtles as aliens could work depending on the context it's presented in. Bay said they come from "an alien race", but did he mean there was an entire planet of turtles, or that the means by which the turtles were mutated was alien? Looking past that, how good will the film be given Bay's behind it? In all probability, it won't be. But if it revives the Turtles's film franchise the same way the Transformers films renewed that series, we could be looking at anything from a horrible pile of shit to an entertaining guilty pleasure. Or it could defy all expectations and actually be, well, good.

           Regardless of the quality of the film, here's how I think a Ninja Turtles film could be presented in a modern context incorporating Bay's "alien" idea. The film would begin in Dimension X, and have Krang, the leader of a race of brain-like aliens, attempting to create a portal to our world. He has invented a mutagenic substance called Ooze which mutates anything it touches into a humanoid creature. Krang hopes to use the Ooze to mutate Earth creatures into an army powerful enough to take over our world, then repeat the process with other planets. He manages to successfully create a stable portal to Earth, and tests the Ooze out on a rat who was once a pet of a skilled martial arts trainer. The rat is mutated into Splinter, who has the martial arts training of his former owner. Splinter sabotages the portal and takes the only sample of Ooze back to Earth with him, where he uses it to mutate four baby turtles he finds in the sewers.

         Cut to about twenty years later. Splinter has trained the Turtles, Leonardo, Raphael, Donatello, and Michelangelo, in martial arts, so now they act as vigilantes protecting the city from a gang called the Foot Clan. The Foot Clan is led by the Shredder, who is revealed to be the former protege of Splinter's former owner, and he desperately wants a way to increase the Foot Clan's efficiency when he learns the vigilantes who are besting him are mutated turtles. Krang, after all these years, creates another portal to Earth and more Ooze, and teams up with Shredder to defeat Splinter and the Turtles. Beebop and Rocksteady become the first test subjects of the new Ooze, and in the end the Turtles face off against Krang, Shredder, and a mutated army of Foot Clan soldiers. April O'Niel and Casey Jones will be the human POV characters, with April an aspiring news reporter following the street war between the Turtles and the Foot Clan and Casey her boyfriend who is inspired to become a vigilante by the Turtles' example. The "alien" aspect comes from the Ooze being alien in nature, but the turtles themselves are still mutants.

            That would be how I would handle a modern Turtles film, but in actuality I'm sure Bay will come up with something completely idiotic. Still, it's fun to speculate. 

Monday, March 19, 2012

Top Ten Guilty Pleasures Part 2

4) Indiana Jones 4-I'll be honest: I don't think Crystal Skull is the worst Indy film. That honor falls to Temple of Doom. I love Temple's villain and Short Round, and the final twenty minutes (mine cart chase and onwards) is top notch. But the film really doesn't hold up for me. Now, Skull is pretty weak as well, but I found it to be more in line with the Indy formula than the second one, not to mention it had Marion in place of the annoying Willy Scott. I think the reason people hate it is the aliens, but honestly the idea of the aliens didn't bother me so much as the execution. It was the '50s, so a lot of the decisions Lucas and Spielberg made were because of the setting. Russians as villains, Indy having a greaser kid, the aliens tying into the plot through psychic crystal skulls coming from El Dorado, all that was just a result of translating Indy into a Cold War environment addressing the sci-fi B movies of the time instead of '30s adventure serials. I was down with all of that. The nuked fridge scene? Yes, it was ridiculous, but that one moment where Indy's silhouette is shown against the mushroom cloud? Badass, and really visualizes how Indy is now in a different time period. The revelation that the warehouse from Raiders was Area 51, and that Indy helped excavate the Roswell crash were great plot twists that I enjoyed seeing. With that said, the villains weren't too strong, Shia Labeouf had some nice banter with Indy but wasn't all that convincing as his kid, Marion was dull, and the final act felt more like a Star Wars film instead of an Indy flick (did the aliens really have to disappear in a UFO if they were "interdimensional beings"?). So yeah, the film got out of hand towards the end, but I still found it an enjoyable enough adventure, and despite his age Harrison Ford still rocks it as the Man With the Hat. So despite its numerous flaws, I still enjoy Crystal Skull. Seriously though, it doesn't really matter if the film was good or bad. Nothing, I repeat, nothing will ever top the brilliance of Raiders of the Lost Ark.

3) Alien vs. Predator 1 & 2-These films will never compare to the brilliance of Alien, Aliens, and Predator, simply because as iconic as these monsters are, they're not as interesting unless they're up against Sigourney Weaver or Arnold Schwarzenegger. However, the first AvP film was my introduction to these creatures, and both films have many badass moments that are great action beats even if they don't hold up as films. The Predator vs. Alien Queen in the first film and Predator vs. Predalien in the second film were highlights for me, and when I see these films on TV I watch them knowing full well they're not great.

2) Spider-Man 3-I LOVE the first two Spider-Man films, as they were my introduction to not only Spider-Man's world, but the world of comics and superheroes in general. I was so hyped for SM3 I could barely contain myself when the film came out. Sandman, New Goblin, and Venom going up against Spidey? I nearly pissed myself. The first couple times I watched the film I loved it, but upon repeat viewing the flaws began to be more noticeable. Venom was underdeveloped, Sandman was a wuss, Harry's amnesia was pointless, the love drama was crap, and Emo Peter was unspeakable. But despite all of these flaws, I can't come to hate the film that capped the story arc started with 1 and 2. It's like Return of the Jedi: you know it's not as good as New Hope or Empire, but it completes the arc and you accept it despite its flaws. I love the origin sequences for Sandman and Venom, and when Spidey first puts on the black suit, it was awesome. So yes, the film is disappointing, but I still find some entertainment from it despite its weaknesses.

1) Star Wars Prequels-Most people hate this trilogy because it "raped" the legacy of the first three, but that wasn't the case with me. I grew up at a time when I could watch all six Star Wars films and appreciate all of them without looking for changes in quality. I considered myself privileged for being able to see the complete story, regardless of whether it was presented non-chronologically. As I grew older, I realized the prequels lacked the story and character moments of the originals, but even now I still can't hate them as most of the Internet has. Jar Jar is horrible, but Darth Maul is awesome. The love story is atrocious, but the Yoda/Count Dooku duel is unforgettable. Darth Vader's "NOOOOO!!" moment was embarrassing, but the Mustafar duel was the most epic lightsaber fight of the entire saga. So while the prequels have a lot of mistakes, they have just enough "wow" moments to still be considered watchable by me, and I still accept the prequels as Star Wars canon knowing full well that they will never reach the heights that the originals had.





Top Ten Guilty Pleasures Part 1

As I was contemplating how I enjoyed John Carter while audiences and critics tore it apart, it reminded me that there are a slew of movies out there that people love to hate that I, for some reason, can't come to hate completely. Films that I enjoy watching knowing full well that they at heart are bad films. They consist of the following:

10) Michael Bay's Transformers trilogy-I remember Transformers from my youth, but I never got into the franchise on account of thinking it was stupid. Then the movies came along. I have to admit, seeing the first Transformers film was a unique experience for me. Suddenly, the Transformers were cool. The robots, the mythology, everything seemed so much more interesting than what I remembered from the cartoons of my youth. Michael Bay is, for all intents and purposes, a horrible filmmaker, but I have to give the man credit for reviving a beloved '80s franchise for a new generation and making it relevant again. The films themselves amount to little more than mindless action films, and suffer from thin characters and recycled plots. Despite this, however, I can't completely hate them because they're so damn fun to watch (ok, the second film kinda stretches what is defined as entertainment, but it too has its moments of greatness). Honestly, I don't care if the film is just 2 and a half hours of Shia Labeouf and insert hot chick here running from explosions, as long as Optimus Prime is there to kick ass and take names, I'm good.

9)Van Helsing-I never got the hate for this film. I loved it when it came out, if only for the idea that Wolverine and Selene from Underworld were fighting Mr. Hyde, Dracula, Frankenstein, and the Wolf Man...ALL AT ONCE. It had great action, an interesting plot line I felt effectively tied all the monsters into one universe, and Hugh Jackman was as awesome as ever as Van Helsing. The production design was fantastic, and to me it just really worked as an action film. However, as the years go by I can see why people hate it. The characters really have no depth, and the film bends over backwards incorporating too many monsters into its plot. But I still like it. In a world where the modern perception of vampires and werewolves comes from Twilight, at least Van Helsing attempts to stick to the iconography that makes those monsters so memorable.

8) Ghost Rider-Ever since I first saw Spider-Man 2, I fell in love with super hero films. In the past decade there have been good comic book films and bad ones, and for me, Ghost Rider falls somewhere in the middle of that spectrum. Nic Cage sucked as Johnny Blaze, for sure. The Rider himself had no character. And the villains were horrible. But, I can't completely hate it. Peter Fonda and Sam Elliot gave off great performances, and Eva Mendes was incredibly hot as the love interest. And the scene where Sam Elliot becomes the Western Rider and he and Cage's Rider ride off into the desert together? Bad ass. So by all means, Ghost Rider was a terrible film, but I enjoy it for its unique visuals.

7) Tron Legacy-Same deal with this film as Ghost Rider. I remember seeing the first Tron as a kid and enjoying it for its visuals and the idea of being inside a computer. I never dreamed I would see a sequel in my lifetime. I was hyped beyond hyped when I learned about it, and in hindsight thought that the first Tron was ahead of his time for focusing on computers now that our whole society is based on them. The sequel had much more potential to tell a great story knowing that we depend so much on computers nowadays. What the film ended up as was a visual-audio experience that I would never forget. The film updated the Tron experience for the 21st Century, and I especially loved Legacy's amazing light cycle race. And the Daft Punk score/cameo? Breathtaking. Really sold the digital side of the film. But, while I can't fault the film for its assault on the senses, the story really wasn't that groundbreaking. Looking back, I realize now Tron was never meant to tell a good story so much as showcase what filmmakers can do with computers. In that sense, Legacy was brilliant, but I still consider it a guilty pleasure because there is nothing to the film besides what it looks and sounds like.

6) Pirates of the Caribbean 2, 3, & 4-The first Pirates film was awesome. Jack Sparrow, Will, Elizabeth, Barbossa, the skeleton pirates, everything clicked. The sequels were obviously a step down from the first, and while they fail in various degrees, I still find something to enjoy in each film. I love the Empire Strikes Back tone and cliffhanger of Dead Man's Chest, and for that reason rate it the second best of the series, even though there were parts that could have been taken out (The Cannibal island, for instance). While I thought it was great set up, the payoff in World's End was somewhat lacking. It started good, and ended good with the final battle and the tragic resolution to Will and Elizabeth's story, but the middle part dragged with too many plotlines, so I rate it the worst of the four even though I do enjoy watching it. On Stranger Tides felt unnecessary, but I excepted it when I heard about it because of the Fountain of Youth subplot which was unresolved at the end of World's End. I loved the mermaids, the mythology of the Fountain, and the character arc they gave Barbossa, but I found the new characters boring and the whole film to lack a sense of danger. However, the attempts to streamline the series after World's End put it a step above that bloated film, but I still find it lacking compared to the first two. So while I obviously have problems with each sequel, I still enjoy watching them despite their flaws, if only to watch Captain Jack Sparrow being awesome.

5) Batman Forever- I love the Christopher Nolan Batman films, and tend to think of the earlier films as "test runs" to see what would work and what didn't in the Batman franchise. The first Tim Burton film was the best, obviously, but even that had flaws, such as putting the Joker as the main character and making Batman an afterthought. Come to think of it, all the films pretty much handle Batman as second fiddle to the celebrity villain of the week. Despite this, I like Batman Forever, the first Schumacher flick, for two reasons: the film's origin of Robin, and Jim Carrey as the Riddler. Now maybe I'm biased because I think Carrey is hilarious, but I adore his Riddler. I just think it works so well. He was batshit insane, but cold and calculating enough to think of himself as more intelligent than Batman and willing to do whatever it took to prove it. Hated Tommy Lee Jones' Two Face, but Carrey's Riddler made up for it. As for Robin, I knew next to nothing about the character's origin from the comics, and this film provided a great introduction to who he was and how he came to be, not to mention his prescence gave Batman himself more of a character arc concerning his identity. So, it's not a "good" movie, but I enjoy it for its outlandish characters and the overall story. With that said, Batman and Robin is unforgiveable. 






John Carter/Lorax review

   
       Over Spring Break, I found the time to see both John Carter and the Lorax in theaters. Regarding the Lorax, I thought it was a well made kids film that delivered on the cuteness and musical factors, but these elements were a detriment to the original source's message. The environmentalist themes were better conveyed in Wall-E, which despite being a kids film took the risk of setting the first act in a post-apocalyptic Earth and had no dialogue. Honestly, will pop songs and forest animals being fed marshmellows convince kids to care more about the environment? Probably not.

       The voice work was good, I particularly must give praise to Ed Helms as the Once-Ler, since his redemption arc was the only aspect of the film I thought they pulled off perfectly. Other than that, what we have here is Dr. Seuss's seminal work on environmentalism vs. consumerism bogged down and sugarcoated for nine-year-old's. Not a bad movie, really, just an average CGI kids flick that lost Seuss's original message in the attempt to create a full-length film. It's a good film to take the family to, but there's nothing else about the film that would convince you to start "caring a whole awful lot", as the film would say.

      Now for John Carter. This film I found to be very interesting, for several reasons. After doing some research on the film and how the book it was based on  inspired such sci-fi storyellers as Arthur C. Clarke, Robert Heinlein, Ray Bradbury, Frank Herbert, George Lucas, and James Cameron, I knew that this series was something worth looking into. The fact that the author also created Tarzan was also something worth noting. I read the book, and found it fascinating even if the science was dated by a century. Walking out of the film, I found it to have a great respect for its source material. The Martian culture that Edgar Rice Burroughs invented was up there on screen, everything from the warlike nature of the Green Martian Tharks to the civil war between Helium and Zodanga.

     I know the Therns were taken from the later novels, as was Carter's voyage down the River Iss. Other than that, the film kept most of the key moments of the first book, A Princess of Mars, even if the context of those moments were different. I liked the change in Carter's backstory with his dead wife and kid, as it gave him more of a narrative arc when on Mars/Barsoom. The idea that he regretted fighting in one Civil War only to be thrust into another one (albeit on an alien planet) made his actions more dramatic when he agrees to fight. In particular, the scene where he leaps headfirst into an oncoming tribe of Green Martians while recalling the burial of his family was both exciting and moving.

       Before John Carter, I only knew Taylor Kitsch and Lynn Collins from their roles in the solo Wolverine movie. They weren't terrible in that film, but not very memorable. In this film, I thought both actors got a chance to show off their potential as leading protagonists. For what it's worth, they do a great job as Carter and Dejah Thoris, the Princess of Mars. They have considerable acting chops and convey great chemistry together, even though their romance wasn't given enough time to develop.
The best performances come from the CGI aliens in this film (not a surprise given director Andrew Stanton's experiences on Finding Nemo and Wall-E). Willem Dafoe, Samantha Morton, and Thomas Haden Church all give off magnificent performances as the Green Tharks, and to me felt like fully realized creatures. On a side note, the alien dog Woola was both hilarious and honorable, the way a CGI sidekick should be (looking at you, Jar Jar).

        Numerous critics have said the plot is hard to follow, but I don't see what's so difficult to grasp. Carter is an ex-Confederate turned Indiana Jones style treasure hunter who is transported to Mars, where he becomes involved in another civil war between the nation states of Helium and Zodanga and learns that cosmic gamemakers called Therns have been manipulating the war in an effort to speed up the planet's death, before moving onto Earth afterwards.

       If there is anything to really criticize with this film, it's the familiarity. As people have already pointed out from the trailers, various points of the film feel like the writers were ripping off Avatar or Star Wars. But the thing is, John Carter was around long before those films, and the scenes that feel like ripoffs are really the inspirations. And the fact of the matter is, the film didn't play out like a blatant rip off of those films, the way Avatar blatantly ripped off Dances with Wolves or the Eragon movie blatantly ripped off the plots of Star Wars and Lord of the Rings. John Carter played out in a way that felt both familiar and at the same time fresh, and was solid enough as a film to make an entertaining experience.

       I won't say that it's perfect, because again some story aspects were either too familiar or could have been played out better (did we really need a prologue explaining that Mars wasn't a dead planet when Carter was about to figure that out for himself?) but overall the film was a fun time at the theater. Stanton crafted a love letter to a book that filmmakers have been trying to adapt for the last century, and on screen it really shows. I find fault not so much in the film as in the marketing decisions, such as dropping "Of Mars" from the title and not making it clear to moviegoers the legacy of the film's source material or the talent behind it. The movie recalls those swashbuckling adventure movies from the '70s and '80s that weren't trying to be intelligent or groundbreaking so much as they were trying to entertain an audience with a good story and likable characters. If that is the type of film you would go for, John Carter is worth checking out.
   

Introduction

Greetings interwebs, my name is Bahnt Freiberger. I am an aspiring journalist/film critic/fiction writer obsessed with all things nerdy. My main hobby is watching films and surfing the internet for film news, but I also enjoy reading novels and comic books. In regards to video games, I've never been much of a gamer, but I always love to play fighting games, and will play with others despite my eternal newb status. My hope in starting a blog is to simply convey my thoughts on various aspects of popular culture, ranging from film reviews to reactions to news in movies, TV, comics, and video games. Occasionally, I may even post speculative fan fiction on ideas I have for sequels to popular films and the like.